THE FAIREST TEASER 04
Apparatus 22
Constantin Hartenstein
Cosima zu Knyphausen
Fashion
Gabriela Guarnizo
Hannah Sophie Dunkelberg
Irene Fernández Arcas
Jonas Wendelin
Josip Novosel
Julian-Jakob Kneer
Katharina Ruhm
Lukas Stoever
Marianna Simnett
Mikołaj Sobczak
Nicholas Grafia
Thyago Sainte
Victor Payares
Victor Payares
Victor Payares uses layers of various paint languages that combine the haptic physicality of mark making together with archeology, sand, and palimpsest for his artistic practice. Architecture, meteorology, and spatial analysis are reappearing references in his work in which he often materializes recollections of his childhood in Cuba into new arrangements and convictions.

Victor studied at the Art Institute, Miami International University of Art & Design, at the Royal College of Art, London, and is a current participant of the Berlin Program for Artists (BPA).
1. Victor Payares, get me to the roof on time, 2019

2.Victor Payares, El Greco Face 2020. Photo: Stefan Haehnel

3. Victor Payares, Chasm Restored, 2019

4. Photo: Valentin Cafuk


Website | Instagram
Victor Payares
Victor Payares uses layers of various paint languages that combine the haptic physicality of mark making together with archeology, sand, and palimpsest for his artistic practice. Architecture, meteorology, and spatial analysis are reappearing references in his work in which he often materializes recollections of his childhood in Cuba into new arrangements and convictions.

Victor studied at the Art Institute, Miami International University of Art & Design, at the Royal College of Art, London, and is a current participant of the Berlin Program for Artists (BPA).
1. Victor Payares, get me to the roof on time, 2019

2.Victor Payares, El Greco Face 2020. Photo: Stefan Haehnel

3. Victor Payares, Chasm Restored, 2019

4. Photo: Valentin Cafuk


Website | Instagram
Victor Payares
Victor Payares uses layers of various paint languages that combine the haptic physicality of mark making together with archeology, sand, and palimpsest for his artistic practice. Architecture, meteorology, and spatial analysis are reappearing references in his work in which he often materializes recollections of his childhood in Cuba into new arrangements and convictions.

Victor studied at the Art Institute, Miami International University of Art & Design, at the Royal College of Art, London, and is a current participant of the Berlin Program for Artists (BPA).
1. Victor Payares, get me to the roof on time, 2019

2.Victor Payares, El Greco Face 2020. Photo: Stefan Haehnel

3. Victor Payares, Chasm Restored, 2019

4. Photo: Valentin Cafuk


Website | Instagram
Victor Payares
Victor Payares uses layers of various paint languages that combine the haptic physicality of mark making together with archeology, sand, and palimpsest for his artistic practice. Architecture, meteorology, and spatial analysis are reappearing references in his work in which he often materializes recollections of his childhood in Cuba into new arrangements and convictions.

Victor studied at the Art Institute, Miami International University of Art & Design, at the Royal College of Art, London, and is a current participant of the Berlin Program for Artists (BPA).
1. Victor Payares, get me to the roof on time, 2019

2.Victor Payares, El Greco Face 2020. Photo: Stefan Haehnel

3. Victor Payares, Chasm Restored, 2019

4. Photo: Valentin Cafuk


Website | Instagram
THE FAIREST-TEASER 03 AT HOTO BERLIN, MARCH 11 - 20, 2022
THE FAIREST-TEASER 03 AT HOTO BERLIN, MARCH 11 - 20, 2022
THE FAIREST-TEASER 03 AT HOTO BERLIN, MARCH 11 - 20, 2022
THE FAIREST-TEASER 03 AT HOTO BERLIN, MARCH 11 - 20, 2022
THE FAIREST-TEASER 03 AT HOTO BERLIN, MARCH 11 - 20, 2022
THE FAIREST-TEASER 03 AT HOTO BERLIN, MARCH 11 - 20, 2022
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
THE FAIREST 01: Open Your Eyes Again / INAUGURAL MAIN ART FAIR / SEPT 14 - 18 / Kühlhaus Berlin
HANNAH HALLERMANN (HAHA)

Hannah now questions "ARE YOU SATISFIED WITH YOUR DECISION?", which seems to be at the center of her artistic practice. She makes in fact each (edition) piece unique, by shooting the blue butchers curtain with her bow and arrow multiple times. Aiming at "YOU" and "SATISFIED" as the primal target, human error or precision remain as the final mark.

Are you satisfied with your decision?, 2022
Blue PVC, foil, metal, arrow shots
74 x 104 cm
Edition of 10 + 1 AP

2.200 € + VAT

Purchase Edition
MIRIAM KONGSTAD

Miriam Kongstad’s piece We Say This Rose Is Beautiful But When This Rose Is Destroyed This Rose Is Ugly Or This Rose Is Clumsy We Say forms a delirious network of emojis, frozen bodies and cowboy aesthetics, while a refrain of violence and anger, sedated by sex appeal, PR strategies, entertainment, and two-dimensional smiles penetrate the piece. The title of the work, engraved into the piece itself, is borrowed from a poem for one of Kongstad’s performances, offering an example of how she uses poems, rhymes and text to offset and augment the visual worlds she creates in her works.

We Say This Rose Is Beautiful But When This Rose Is Destroyed This Rose Is Ugly Or This Rose Is Clumsy We Say,
2021
Digital print, thin aluminium frame

2 sizes, each an edition of 12 + 2 AP 
S (42 x 59,4 cm) - 350 € + VAT
L (70 x 100 cm) - 600 € + VAT

Purchase Edition
MIRIAM KONGSTAD

Miriam Kongstad’s piece We Say This Rose Is Beautiful But When This Rose Is Destroyed This Rose Is Ugly Or This Rose Is Clumsy We Say forms a delirious network of emojis, frozen bodies and cowboy aesthetics, while a refrain of violence and anger, sedated by sex appeal, PR strategies, entertainment, and two-dimensional smiles penetrate the piece. The title of the work, engraved into the piece itself, is borrowed from a poem for one of Kongstad’s performances, offering an example of how she uses poems, rhymes and text to offset and augment the visual worlds she creates in her works.

We Say This Rose Is Beautiful But When This Rose Is Destroyed This Rose Is Ugly Or This Rose Is Clumsy We Say, 2021

Digital print, thin aluminium frame
S - 42 x 59,4 cm
L - 70 x 100 cm
Editions of 12 + 2 AP 

S -350 € + VAT
L - 600 € + VAT

Purchase Edition
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